The article focused on the prices fetched by various pieces at the auctions. The 11th century Khmer statue, which has a photo in the article, set a new record for Khmer statues of $2.11 million. The statue was of exceptional quality and had considerable provenance. Provenance is presented as a two-fold attribute: 1) a history conferring legitimacy, and 2) high certainty of original location of the art/antique. The pieces that sold at or above their estimate range tended to have a history demonstrating that they had been in circulation since before the Cultural Revolution, and with a history that placed the pieces originally at certain sites. Pieces that sold under their estimates were of questionable provenance because they were hidden during the Cultural Revolution and the buyers were unsure of where they originally came from, or buyers suspected that the pieces may have entered the market by way of more recent and illicit looting and digging. This could create a legal problem that would force the buyers to handover the antiques to the proper government authorities if it was discovered that they were acquired through illegal means.
Well, this got me thinking about China's laws on antiquities. The best general outline of the issues and laws that I found was in a Comment in the Cardozo Arts and Entertainment Law Journal, THE GREAT MALL OF CHINA: SHOULD THE UNITED STATES RESTRICT IMPORTATION OF CHINESE CULTURAL PROPERTY?, on pages 937 - 944. The author writes that there are three main issues in "China's cultural relic problem:"
- "[R]apid economic development."
- Helps cultural relics by making China a "market nation" for its own cultural relics, but...
- Urbanization, including the Three Gorges Dam, has led to the destruction of many cultural sites.
- "[T]omb robbers and illicit smuggling."
- "[D]isturb[s] the integrity" of the art in a way that the careful cataloging and documentation of archaeological digs does not.
- "China's lack of domestic control capabilities."
- "There is a distinct gap between Chinese national policies and practice."
- 2002 Law on the Protection of Cultural Relics
- and it appears that this law was updated in December of 2007, and is available at LawInfoChina
- Regulations on Enforcing the Law on Cultural Relics Protection (available at LawInfoChina for a fee)
- Provisional Rules on Administering the Auction of Cultural Relics (available at LawInfoChina)
- Part 2, Chapter VI, Section 4 of 1997 Criminal Law
Some website says that there are a bunch of different regulations and all you can really do is rely on the legal advice of your Chinese antique dealer on whether you can export the antique, and hope it clears the obligatory trip to the Customs Office. The same site says that you can export wood antiques of any age out of the country, but antiques made of Red Sandalwood, Yellow Rosewood, or Chicken-wing Wood can't be exported if they're older than 300 years. Then some other site said you can't export wood if it's older than 1789. It gives me a headache.
It sounds like all you really can do is rely on the legal advice of your antiques dealer, and if you're buying something "old enough" it might be a bit of a crap-shoot getting it out of the country.
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